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Some of David Schooley's Selected Poems, as well as a few paintings and drawings, excerpted from his "San Bruno Mountain Book of Poems"
DIRT'S PARADISE
Stillness in the lay of fog, sun's first swirl buried down the ridge. Coyote yip wavers into wild dawn's silence, oak trunk dripping cold, cloud shadowed canyon, hidden enticing, naked ravine, gray, twisted into the air. Frosty, lichen ground, foreboding vines, unmoving tangle down an empty creek, jagged quartz-rock, glinting, alert; but sudden, the poem's spark dies, vanished into dirt, crystal readings purged in silence, voice drawn back in the eye. I'm only one man's folly sitting in the dead leaves and whatever-way you turn, whoever you are, it's what heaven's made-of. -David Schooley
MISSION BLUE
Nothing need be proven though something cries out at the murders of earth and person. Nothing need be said though something asks to be perfectly spoken into a silence of seeing, were it only the first doubled leaves of the lupine through the crumbled earth by the rock, or the opening, closing wings of a butterfly flashing through the creaked on the heighten stillness of the valley.
FLAME'S QUIVER
Only a few fog leaves left on the dripping tangle of a huckleberry dwarf, shaken by fingers of wind. Old rusted fence-wire, cold to the touch. How deep is the spring trickle ground? How high the silence of light? Only in working with the quiver of the flame, once tall canyons filled with scrub and oak, now cold erosion of the rutted slope, silent stifle of the burned out creek, my path twists outward through the buried grove, all memories scrambling at the end of all dreams, scattering from the bitter shepherd of my portrait in mourning of the light; only moving with the quiver of the flame, murdering edge, beaming summer end of hills. Walker's print of habit crumpled toward autumn leaves. The ugly binding shadows merge in burning through the flash of sunsets flesh. -David Schooley
COYOTE SHEPHERD
Chaparral skulker, wild herder comes at last to evening, his thoughts vanquished among dried reeds by the creek bed, bubbling out of meadow seeps, drifting flotsam, scrub bloom down the gnarled ridge. But his enemy innards still sprout hunger after hidden fruit, even fungus roots, slime dreams and mold spores, though he cannot eat them in the silence of the wellspring's mist. The fading dark of flying birds beneath his lids is only echoes as the yearning dies in him- then returns- softly, carefully, at first; his night hunters emerge grunting into the rivulet's sparkle over their easy prey, grabbing every image morsel far beneath the stars, planets and meteors. But coyote-herd's crook has faltered, as quietly his every heart's crave empties by the rawness of a rising porous new moon. -David Schooley
LIZARD RIDGE
Astonished landfall, quite leaves. Outcrop of rocks. Blue-eyed grass in a small patched meadow at the end of a high ravine. Grasshoppers scattered in the brush at every step. A ground squirrel whistles from a knoll. Gently the wind forgets the creek bed and fanning down the slope leaves all this meadow still. Unruffled sunlight through yerba buena. A lizard signals on a shining rim with his sky-colored belly. -David Schooley
BEFORE DAWN
Crickets of the valley gone silent 
and coyote, drinking from a trickle of dry, night summer creek, lifts his head, one drip then another into the moss, from his hanging tongue. Thin, leafy moon over wet rock, his listening eyes, scraggly neck. Coyote crosses a faint path into nettled shadows; tall, leaning oak awake in the ridge's darkness. Without a sound, the Mountain opens, emptiness moving. So quiet, the morning comes before the light. -David Schooley
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